ILLUSTRATION & VISUAL NARRATIVE - LECTURE REPORT 2
INSTRUCTIONS
Lecture Report 2 : Visual Study
Fantasia is one of the earliest Disney films, and it contains a number of
notable examples of the use of illustrated images to simulate light and
shadow, even more so than more recent Disney films. The viewer is treated to
a fantastical view of Mickey Mouse's interaction with magical broomsticks
that come to life in The Sorcerer's Apprentice, a story that would have been
difficult to sell in film at the time.
Animation allows us to explore areas of the imagination that would be
impossible to depict in other forms of media. The lighting in this section
of the film is initially used to set the mood of the scene, but it
eventually expands to include more applications, such as the scene in which
Mickey violently destroys his broomstick-man creation, which is represented
by red lighting and a shadow cast on a wall outside of the room.
Furthermore, as the broomstick-characters multiply and become
uncontrollable, their overwhelming presence is represented on the wall by
long, coloured shadows. The coloured shadows maintain a similar colour
theme, but they cool down some of the warmer tones from earlier in the
piece.
Figure 1.2 Frames from The Sorcerer’s Apprentice |
Another work within Fantasia is Night on Bald Mountain (Fig 3.7.1) which is
an fanciful story concerning a demon-like entity that takes over a tiny
community. In comparison to films like Snow White, Fantasia shines out as a
highly innovative composition when considering how the shorts could be
depicted in film at the time.
As Bald Mountain opens, the audience is presented to the outline of the
enormous monster character that is definitely not of this world. As the
short goes on, the audience discovers that the character is shadow, as his
methods of locomotion and interaction are identical to a shadow travelling
and distorting across surfaces. Here, animation not only allows shadow to
become the topic of the story, but really inserts it as a key character,
functioning as a dominating force within a defenseless community
Figure 1.3 Night on Bald Mountain showing some fantastical creatures through silhouetting and shadow-play |
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